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Grateful Dead Live at Deer Creek Music Center on 1992-06-29




1st Set:

01. tuning
02. Feel Like A Stranger
03. Althea
04. Little Red Rooster
05. So Many Roads
06. Desolation Row
07. Deal



2nd Set:

01. tuning
02. Box of Rain
03. Victim or the Crime
04. Ship of Fools ->
05. Corinna ->
06. Drums ->
07. Space ->
08. The Other One ->
09. Stella Blue ->
10. Sugar Magnolia

Encore:

11. Brokedown Palace


Collection GratefulDead
Band/Artist Grateful Dead
Venue Deer Creek Music Center
Location Noblesville, IN

Source Sennheiser ME-80's>Technics SV-MD1 from Taper's Section
Lineage DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC
Taped by Keith Litzenberger
Transferred by Keith Litzenberger

Notes

Show fits on 2 CD-R's if you put the 1st few tracks of set 2 on Disc 1.

Reviews

Reviewer: mddichard07 - - June 29, 2013
Subject: Samson Teases at the Beginning of Drums
The end of Corrina > Drums is filled with the opening drums lines to Samson and Delilah. If I was on the dance floor and heard a Corrina > S&D, I would probably dance until my legs didn't work. But teasing S&D and then going into a 25 minute Drums/Space is a super momentum killer. Pretty decent '92 show overall..worth the listen on a low-key day at home.
Reviewer: BlewJ - - August 8, 2012
Subject: Genesis
This is the year I got into the Dead. I was born in '76, and the transition to loving the Dead as rock bottom as I do today has taken over a decade, and I didn't get to make it to a show until '95. Still, I am thankful for recordings. I know this isn't even a proper review. I honestly don't know how to compose one.
Reviewer: pickles24 - - June 29, 2012
Subject: Waited forever for a B-Day show
Strange Bobby played Desolation Row on my 22nd birthday.
Reviewer: njpg - - December 2, 2011
Subject: Elegantly excellent!
Even though Garcia's playing is somewhat understated (almost as if he's still making room for Hornsby like he had to do for a year before), the whole band is very on. The recording is perfect, aside from the brittle-sounding high-end that laptap mentions (and at times this is quite pleasant), and you can hear Lesh being very bass-articulate. I didn't see this show, but I saw a little of the tour, and I don't care what the purist Deadheads say: '92 was among the Dead's best years.
Reviewer: myhungryhippo - - June 29, 2010
Subject: this is a great aud in my book
another great piece from keith
Reviewer: stilbo - - May 16, 2010
Subject: I remember this show....
This show's quality is excellent due to the fact that 1/2 the audience was on the lawn which lent itself to the crowd rolling down the hill towards the sound boards. We forced a lot of energy into the band and recording devices...
Reviewer: pmcnallyhealer - - March 20, 2010
Subject: Loved it
Amazing show. Really got me goin' right from the bat!
Reviewer: Philly Irish - - October 10, 2009
Subject: WOW!
Beautiful recording.
Reviewer: wklitz - - August 16, 2008
Subject: Thanks!
Thanks for whomever is responsible for getting all my recordings up here on LMA. I guess I feel obligated to keep on transferring the rest.
Reviewer: laptap3r - - August 15, 2008
Subject: Incredible sound - ditch the board, download this
I quickly found myself wondering, "Did a board slip through into Download Land here at archive?" No, my friends, believe it or not this is an AUD. The high end is clearer than the SBD - sometimes too clear, to the point of sounding brittle (MINOR kvetch!) Also, while there's not as much separation as on the SBD, you can hear the crowd consistently and clearly - there's none of the on again/off again nonsense as Garcia steps on and off his noise gate pad behind his mike. So yes, this is an AUD, and a damn fine one. By the time you read this I'll have the source up on gdluckynumbers.org. Begin downloading - now. :-)
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=15076) SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley + AUD (shn id 90976) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
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Source: OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Fuji FR-Metal 90's, with no Dolby.
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Source: nak 300/cp4 (@ board, 12') > tcd5m (tdk mar 90 +dolby)
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Source: Nakamichi 300 Shotguns CP4's & Sony TCD5M
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Source: lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=110519) Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Transfers and Mastering By Charlie Miller + AUD (shn id 91996) Sennheiser ME-80's>Technics SV-MD1
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Source: First Generation Cassettes From Unknown Mics/Deck>Unknown Original Copy Decks/Info; Tapes From White,Transfer By Keo; Tapes Maxell XLII Gold 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 49 Seat 1/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Maxell MX-S,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Tape flip in drums at 5:35 spliced using Soundforge 9.0. Recorded FOB from Section 63, Row J, Seat 12 by Bob Morris.
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Source: Neumann KM-150's > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 5-feet high.